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RadicalRadioMix

by Solar Return

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1.
14Mhz 45:17
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RadicalRadio is a new series of recordings made by Solar Return in different contexts with short wave radio. We record sound from EVP frequencies and specially 14MHz. Electronic Voice Phenomena is attempting to record voices from the dead. If we are not hardly looking for dead voices, we are looking for the path of those frequencies to search for radio phenomena in general that could occur in this range of the radio.

We are using mainly radio receivers with different radio bands in the spectrum of short wave radio then we run those radios in different contexts from cemetery to mountain or radio relay.

The 20-meter or 14-MHz amateur radio band is a portion of the shortwave radio spectrum, comprising frequencies stretching from 14.000 MHz to 14.350 MHz. The 20-meter band is widely considered among the best for long-distance communication. We are not always strict about this range of frequencies, it depends if there are any interesting sound phenomena at the time of reception and in the context that we are running the receivers. So it happened that we switched to other short wave frequencies that are more interesting.
Konstantin Raudive proposed a schematic to build your own radio receivers to catch the dead voices. You could find adaptation to modern devices today on the internet such as this one: docplayer.net/22377680-Raudive-diode-evp-electronic-voice-phenomena-receiver-for-smart-phones-and-laptops-wil-lindsay-july-2012.html

Solar Return is Jenny Pickett & Julien Ottavi - Radio Receivers homemade and transformed.
Recordings made in Portugal and Scotland between 2018 and 2020. Mixed in BruitBrutStudio in 2021.

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released March 6, 2024

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FibrrRecords London, UK

Micro-editions, Fibrr Records is an independent distribution label for the purpose of self production and community of musicians. As a Do It Yourself (DIY) and copyleft label since 2000, pieces produced on Fibrr Records will be available to download. Fibrr aims to increase availability of different approaches of sound creation, including those practices crossed practices. ... more

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